Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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FERRARI, Gaudenzio
St Anne Consoled by a Woman dfg

ID: 06645

FERRARI, Gaudenzio St Anne Consoled by a Woman dfg
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FERRARI, Gaudenzio St Anne Consoled by a Woman dfg


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FERRARI, Gaudenzio

Italian High Renaissance Painter, ca.1471-1546   Related Paintings of FERRARI, Gaudenzio :. | St Cecile with the Donator and St Marguerite fg | St Anne Consoled by a Woman dfg | Heracles and Antaeus | Crucifixion fgjw | Summer fghd |
Related Artists:
Robert Crannell Minor
(1839-1904), American artist, was born in New York City on 30 April 1839, and received his art training in Paris under Diaz, and in Antwerp under Joseph Van Luppen. His paintings are characteristic of the Barbizon school, and he was particularly happy in his sunset and twilight effects; but it was only within a few years of his death that he began to have a vogue among collectors. In 1897 he was elected a member of the National Academy of Design, New York. After 1900 he lived at Waterford, Connecticut, where he died on 4 August 1904.
William Romeyn
Haarlem circa 1624-circa 1694
Tintoretto
Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.






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